Monday, October 22, 2012

Impossible Project Instant Film Class with Chloe Aftel

For those of you who know my work, you are familiar with how much I am in love with texture.  And it all started when I started learning how to shoot.  

For those of you who don't know the story, I had been actively doing photoshoots and borrowing equipment and studio time at FIT in NYC where I was studying Jewelry Design.  The thought that I may actually be a photographer never occurred to me until after I completed my second degree (the one in jewelry) and I thought, "Well, I'd be happy to never solder metal again. What now?"

I enrolled in 2 photo classes.  One was a lighting class and the other was a view camera class.  The large format class came first, and immediately, I was hooked.  Thank God for FIT remaining to be a champion of teaching film.  For me (and speaking as someone who shoots a ton of digital as well), there really is no comparison to film.  There is something tactile, something tangible, something warm about it that digital just does not possess.  I love it and it loves me back.

When I lived in Brooklyn, I was very fashion forward in my shooting style (and I remain to be as editorial, fashion, and fine art shooting is where my heart sings), and I almost exclusively shot film.  When I moved back to CT in '08, I only had film cameras and mainly shot my 35mm Vivitar and my Hasselblad.  Shooting events and shooting mostly digital was all new to me.  And it was an uphill battle to try to fit into this new community of shooters in CT. 

I was trying to keep up with the pack.  I felt that I had to in order to establish myself and try to get work.  Because of this, I was showing work that I didn't necessarily love or even always like for that matter, simply because I was trying to be competitive and be in the same vein as those I was meeting and networking with.  I was showing what I thought others wanted to see and not what made me feel good.

I did this because I didn't know if people would "get it," or "get me."  And those of you who know me and are my constant cheerleaders, you knew that me as such a strong-willed and creative person felt trapped by this environment, this thought pattern, this endless chasing of my tail.  I didn't want to do that anymore, but I didn't know how.

It wasn't until I started to find and reach out to others whose work is truly inspired, that I started to understand that it's okay to really put yourself out there.  The realization, at first, came on slowly and then at other times like a bursting epiphany.  When I saw these artists' work, and that they are making a living shooting exactly what and how they want to shoot, a desire burned in my core.  I wanted that.  How did they do that?  Artists such as Gia Canali, Chloe Aftel, and Noa Azoulay-Sclater I respect soooooo much for their artistry and fearlessness to stand by their art and not alter their style, their methods, the way that they capture.  Not only are they kick ass women, but they each have a signature style that comes straight from the heart.  Their work has feeling and texture. 

And now, more than ever, I know that it is not only ok, but absolutely necessary for me to operate as Artist first (thank you, Noa, for your inspired interview about your artist workshop and making me realize that this is how to do it).  I only want to create what I want to create.  And I am no longer taking on work that I do not want to do or work that doesn't make me feel good. 

I walked up to the edge and I decided to dive in.  And, ya know what?  It feels damn good.  I love the work that I am creating.  And I love knowing that there is a community of like-minded artists out there who are making it by walking to the beat of their own drum.  For me, there is no other way.

So, when I received an email from the Impossible Project  that Chloe Aftel was teaching an instant film class at their space in Soho, NYC, I immediately registered for it.  Now, Chloe is not only an amazing artist, but she is an amazing teacher as well.  We had 2 models, 2 packs of film (1 color, 1 black and white), and we shot inside and outside.  The 3 hour workshop went by entirely too fast, but I learned a ton and feel that I am now friends with the Impossible Film (which I had been struggling with previously). 

So, I wanted to show some of the photographs that I made yesterday.

I love them :) And I want to give a huge thanks to Chloe Aftel, the models Kalli and Constanza, and to the Impossible Project for such an awesome, fun, art and knowledge filled workshop.

Just awesome :)


Wednesday, October 17, 2012

Stacey & Dom Wedding Sneak Peek

SO ancy to do the full post on this AMAZING Wedding, but, alas, I must await the return of my processed film. 

Yes, that's right :) Film.

F. I. L. M.

It's my favorite four letter word :)

And the vendors that helped create Stacey & Dom's vision were simply flawless.  Detail shots will be in the following post, but I just had to get this sneak peek up for your viewing pleasure.  This Wedding was made fabulous by Chamard Vineyard, Sarah True of True Event, Gourmet Galley, Sperry Tents, Madison Flower Shop, White Label Wedding DJs, Suite Occasions (ceremony music), and Bridal Trousseau dress shop (Petunia by Pronovias dress).

Now check out these lovely images :)

... and stay tuned for the full post ...


Monday, October 8, 2012

Another Shot of Calie...

love this one...


Moon over Saltwater Farm Vineyard

A lovely little shot from a wedding last year...


Sunday, October 7, 2012

Calie & Ben Sneak Peek...

Calie and Ben were referred to me through a friend of theirs whose Wedding I shot last year. When I met them at Megan and Chris' backyard bbq rehearsal dinner, they pretty much booked me on the spot. As one of the kindest, most laid back, and most appreciative couples that I've met, I was very excited about capturing them on their special day.

Before I spoke with Calie to firm up the final details of the Wedding Day schedule, she knew she made a crazy good decision to get ready at the Silas Robbins House in Wethersfield. Her voice was brimming with excitement when she told me. So, while on the phone with her, I looked up the special inn. Upon seeing the first image that popped up on their site, my heart filled with joy and I literally wanted to jump through the phone to hug her. This is because Calie knew my style. She and Ben hired me for it. But, the fact that she took it a step further and was very thoughtful about this kind of detail absolutely made my heart sing.

You see, the getting ready part of a wedding day is one of my favorite things to photograph. And I always have my brides build some time into the schedule for some bridal portraits, where I have about 15 minutes to photograph her right after the final earring in put on, the last shoe stepped in, and the veil put in place. These are the final moments of her life that she will be single. And when she is ready, in her dress, makeup perfect, and the butterflies of nerves and excitement are fluttering, I get to be the one who captures that moment.

So, once Calie's final bridal details were all in place, we went around the Silas Robbins House for some bridal portraits. Her mom had requested to get a shot of Calie at a piano since Calie had 9 years of piano playing under her belt. Lucky for us, there was just such a room with a piano at the House. So, I asked Calie to sit at the piano. Without hesitation, she did. And she began to play the song that she would walk down the aisle to.

My heart almost jumped out of my chest.

This is what I saw. And that's what she was playing. And that's why I had to share this little story of this little moment. Because life, love, and Weddings are made of these moments. And I am honored to be the one that captures them for you.

Sneak Peek: Calie & Ben


Friday, October 5, 2012

new brand sneak peek...

oh, yeah, this is, so brand, new blog, new website...stay tuned for launch details :) much love to all Photobucket

Thursday, October 4, 2012


had to post this little preview...waiting for film to get developed from the rest of the stay tuned :) so much goodness Photobucket